Exhibition review |
Corresponding author: Safua Akeli Amaama ( safua.akeli.amaama@tepapa.govt.nz ) Academic editor: Katie Cooper
© 2024 Safua Akeli Amaama.
This is an open access article distributed under the terms of the Creative Commons Attribution License (CC BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Figures are not necessarily openly licensed and third party rights may apply. Please refer to the rights statement alongside each individual figure for more information.
Citation:
Akeli Amaama S (2024) Connections across the Coral Sea: a story of movement (Queensland Museum, Australia). Tuhinga 35: 11-13. https://doi.org/10.3897/tuhinga.35.132206
|
Connections across the Coral Sea: story of movement, first shown at the Queensland Tropical Museum and then at Queensland Museum (December 2021 to July 2023), shared rich stories of cultural movement and connection across the Northern Queensland Coast. The exhibition utilised archaeological evidence from a recent find at Jiigurru (Lizard Island) alongside cultural objects, material culture and specimens, to reveal the trade networks, customs and exchanges that shaped the vibrant First Nations communities of the Coral Sea during the late Holocene period. Using digital components and museum collections, the exhibition footprint covered an oceanic expanse, incorporating dynamic aspects of the geographic seascape.
I visited the exhibition in 2023 at Queensland Museum, while carrying out research for a trans-Tasman project focusing on First Nations cultural collections at the Museum of New Zealand Te Papa Tongarewa (Te Papa). Co-curated by Dr Maddy McAllister (Senior Curator, Maritime Archaeology) and Sophie Price (Assistant Curator, Anthropology), working in partnership with the ARC Centre of Excellence for Australian Biodiversity and Heritage (CABAH) in collaboration with the Queensland Museum Network’s Project DIG, the project was supported by James Cook University and Monash University. In addition, the Walmbaar Aboriginal Corporation and Hope Vale Congress Aboriginal Corporation supported the research partnership.
The exhibition’s focus on the Cultural Interaction Sphere (CIS) highlighted extensive coastal interaction long established over centuries covering southern New Guinea, Northern Queensland and the Torres Strait. Evidence of interaction and movement suggested that the CIS involved about 100 cultural groups from the Aboriginal Cape York, Torres Strait Islands and Southern Papua New Guinea communities, actively trading and exchanging resources across the oceans and expansive coasts of about 600 km in length.
Within the exhibition, a Torres Strait Islands creation story told of a fishing expedition led by a crew of Zugubal (beings that took human form when they reached earth). During the expedition, Tagai, a great leader and warrior, bound and threw two groups into the sea, after which they ascended into the sky and formed groups of stars called Usiam or Usual (the Pleiades) and Seg or Utimal (the belt and scabbard stars of Orion). Here in Aotearoa New Zealand, we celebrate Matariki, from the Māori name for the Pleiades. Shared stories such as those from the Torres Strait open the cosmological connections between the land, ocean and sky, offering a broader lens for audiences.
Intricate and robust technologies such as the model outrigger canoe A Nagaga (Hiri Motu language) made by ancestors from Gawa Island in Papua New Guinea featured prominently (Fig.
An enlarged map of the Northern Queensland coastline (Fig.
As a sacred site in the cultural practices of Traditional Owners (Dingaal, Ngurrumungu and Thanhil), Jiigurru was a place of collecting and distributing resources such as birds, lizards and seafood, and its creation story is associated with a stingray. Scientific studies of ocean around Jiinguru have identified about 370 fish species (
Complementing these studies, scholars have documented aspects of human history in the area (
The exhibition has created opportunities for museums such as Te Papa to consider the CIS network and the collections we hold. Our Natural History collections contain a small number of specimens of sea snail, sweeper fish and brittle star, many of which were collected in and around Jiigurru in the 1970s. The Pacific Cultures collection holdings of Torres Strait Islands and Papua New Guinea material culture and art forms provide other ways to explore the complex CIS. Similarly, the Aboriginal collections within the International History collection will feature strong connections to the coastal communities.
In many ways, the Coral Sea exhibition pioneered the stories of movement between cultures within this geographic space. It will be interesting to watch, over the next decade, the unfolding understanding of the connecting threads across and beyond the Coral Sea. As
The Queensland Museum exhibition deals with connections around the Coral Sea, raising implications for Australian and Pacific history, which have been known to prehistorians for a decade, but not by the public or even, I suspect, most modern historians. (p. 577)
As historians of Oceania, this exhibition was critical for exploring these connections, with some displays providing insights from representatives of Traditional Owners (Fig.