Research Article
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Article title
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Abstract
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Keywords
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Introduction
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Part I: Collecting and gifting
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Who was Smythe?
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Starting to collect
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Parting with the collection
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Why New Zealand?
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Part II: Smythe’s taste
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Cotman and the sketch aesthetic
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Rejection of Victorian art
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Collecting contemporary and modern
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Personal preference
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Prices and financial limits
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Part III: Reception and rejection
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A (generally) positive response
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Out of sight, out of mind: Criticism and apathy
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Shifting tastes and identities
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Conclusion
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References
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Unpublished sources
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